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We have published thousands of coffee reviews and espresso reviews since 1997. The reviews below appear in reverse chronological order by review date. Older reviews may no longer accurately reflect current versions of the same coffee. To search for a specific roaster, origin or coffee use the Advanced Search Function.
Reader "Cynmar69" reports this espresso blend "has a true coffee taste, ...smooth and flavorsome unlike most burnt flavored coffees." I found it full-bodied and fat on thetongue, with the kind of pleasantly fermented fruit tones that suggest chocolate-covered cherries.A shimmer of sharp acidity is balanced by sweetness. The finish is clean, rich and chocolaty.Slightly disappointing in small milk, where the coffee seems to simplify without softening, but inlarger milk the fruit and chocolate tones bloom nicely. The preground, canned format doubtlessaccounts for the subdued aroma.
Reader "Siehata" nominated a "morning blend" from Seattle's Best Coffee,testifying that SBC "has been a favorite of mine for years. Better than Millstone or even theover-priced burnt Starbucks." I couldn't find a Seattle's Best morning blend, so I pickedSaturday's Blend, figuring that Saturdays have mornings, maybe better mornings than the otherdays of the week. I found it crisply roasty (though most definitely not burned), with pleasantlydry, bittersweet chocolate tones. For me it hit the sweet spot of dark roasted coffees, butdisplayed a limited range of aromatics and a lean body. Perhaps it had sat in its bag too long.
Extraordinary, luxurious coffee, lushly sweet yet vibrantly acidy, with ripe, opulent fruit tones and delicately intense floral high notes. Utterly free of bitterness or astringency. Perfectly roasted, and as extravagantly complex as the very finest East Africa coffees. Nominator David Lubertozzi of Berkeley raves about its "amazing body and milk-chocolateyness," and confesses he enjoys it even better cold than hot -- always a sign of an exceptional coffee.
A startlingly distinctive coffee: richly fruity with almost symphonic aromatics and pronounced but sweet acidity. "Best blend in the world!" exclaims the nominating reader. "One of the few blends that has distinctive regional characteristics -- in this case a lighter roast highlights and protects a wonderfully lively flavor."
Classic Kenya profile: Austerely dry and acidy, with a crisp, astringent-yet-sweet fruit note that coffee professionals are fond of describing as black current. If black current does not ring any synapses, try dried cherries. However described, this flavor note is exceptional in the world of coffee. The discerning reader who nominated this coffee offered no description, but bravely rated it a 95 to 100.
Reader Peter Lynagh nominated this coffee, rating it a 90 to 94. He describes it as "sweet, bold, fruit-toned, yet perfectly balanced and round," as well as "paradoxical." Paradoxical perhaps because it maintains the fruity brightness of medium-roasted coffees while avoiding aggressively dry or acidy notes. I would agree with all of the above, though I wish that my sample had not displayed a slight, muted bitterness.
Reader Peter Lynagh nominated this coffee, rating it a 90 to 94. He describes it as "sweet, bold, fruit-toned, yet perfectly balanced and round," as well as "paradoxical." Paradoxical perhaps because it maintains the fruity brightness of medium-roasted coffees while avoiding aggressively dry or acidy notes. I would agree with all of the above, though I wish that my sample had not displayed a slight, muted bitterness.
For a coffee from northern California, the home of ultimate and often bitter dark roasts, this one is quite delicate, subtly roasty but gently dry, unobtrusively sweet, with echoes of dry, high-toned fruit. "I have been coming to this shop for 10 years now," the nominating reader writes, "and they definitely have the best coffee in the world."
This very dark-roasted blend teeters on the edge of burned, but backs off nicely to stay on the agreeably sweet side of bittersweet. Fruit and fruit-toned chocolate notes, a suggestion of flowers, with only a shadow astringency. The Seattle-based reader who nominated this blend describes it as his (or her) "favorite local coffee. And as I am from Seattle, that's saying something."
The reader who nominated this coffee rated it an 85 -- 89, citing its "great aroma and floral hints," and adding that it is "a great breakfast coffee." I'd agree, though the sample I cupped may have sat around in its elegant bag too long. It belongs to the authoritative rather than the delicate style of Panama: intensely acidy, yet still displaying the bright, high-toned sweet nut, floral and fruit notes characteristic of this underappreciated origin. I felt the profile suffered from bitterness, however, which turned the acidity a bit too assertive for many coffee drinkers.
The reader who nominated this canned supermarket coffee describes it as "not a harsh acid coffee. The taste comes through. Try it." I did, and found it a good though not great medium-roasted Colombia coffee: robustly acidy with decent complementing sweetness, full-bodied, but with little complexity or nuance. I agree that the acidity is not "harsh," but I did find it just a shade too overbearing and perhaps a touch sour.
"Auburnbulldog" gives this venerable grocery store coffee from Louisiana a 90 to 94 rating "because for a non-specialty coffee it is by far the best. I cringe when I go from Community to Starbucks." I found it a fine example of a (non-chicory) New Orleans-style blend: roundly low-acid coffees with a musty or mildewy edge (probably mainly Brazils) turned malty and rich by the moderately dark roast.
A big, simple, acidy coffee only partly tamed by the darkish roast. The result is a bit of a hybrid: medium-bodied, roasty but acidy, reasonably sweet, but with only a hint of Antigua-style nuance, some fruit perhaps. The finish is slightly astringent, always a danger when an acidy coffee is brought to a darkish roast. The nominating reader Carolina Facciani of Redondo Beach, California rates the Starbucks Guatemala she or he tasted a 95 to 100, declaring it "one of the best tasting coffees I've had next to Costa Rica's coffees." The big acidity and relative lack of nuance does make this coffee resemble high-grown Costa Ricas.
Lindsey Bolger was all positive on this one: "One of my favorites in the cupping. Chocolate laced with cinnamon punctuates the aroma. More sweet spice and cocoa, even some floral notes, emerge in the flavor. A fine specimen of a Sumatra -- tamed but not over domesticated!" (88) Ken was attracted by "an opulent, deep-toned fruity chocolate" that nevertheless hinted at various flavor ambiguities like ferment. Ultimately, though, a "rich, clean finish" convinced him to go with a very positive reading (89) of this complex Sumatra.
Lindsey Bolger exclaims: "A lovely, well-structured coffee! In the dry fragrance I detected a slightly rancid note, suggesting staling. But after the pour and upon the break, a delightful aroma of brown sugar and cocoa bloomed to mask any lack of freshness. With a maple-syrupy sweetness, bright but restrained acidity and refined fruit notes, this is an excellent example of a classic Sumatra that defies the origin's reputation for earthiness" (88). Ken concurred, finding "both aroma and cup dryly acidy yet deeply sweet, lush with a sort of spicy fruit suggesting pineapple. Rich, smooth mouthfeel" (89).
Lindsey Bolger: "Fantastic! Sweet, floral aroma accented with cinnamon and just a suggestion of earthiness. Cools to a sweet and clean display of balance and harmony" (88). Ken read Lindsey's "earthiness" as a touch of musty ferment, but he nevertheless liked the way the ferment worked in the darkish roast, describing the outcome as "pungent, bittersweet fruit that suggests dark chocolate with a little mild, brandy-like ferment." Like Lindsey, he was impressed with how elegantly the coffee cooled, to a "long, sweet, clean chocolate finish" (90).
Lindsey Bolger: "Depending on tolerance for fruitiness with wild tendencies, this coffee will either delight or dismay. Lovely floral aromatics complemented by flourishes of warmed butter, brown sugar and citrus were the first hint that something interesting was going on in the cup. Upon first sip, the coffee displayed overt ferment, the kind that makes your toes curl. Then, after subsequent passes, that overripe fruitiness evolved to the engaging blueberry note so prized in Ethiopia Harrars" (84). Ken also wrestled with ambiguous flavor notes that for him suggested both fermented fruit as well as a hint of mustiness, but he too settled on a positive reading: "sweetly acidy, with lush ferment tones that, as the cup cools, resolve richly and pleasantly to fruity chocolate and brandy" (87).
Lindsey Bolger: "Engaging aroma of sweet chocolate pudding invites the tasting spoon to dive right in. The cup delivers on the aroma's promise with a body that won't quit and a lingering sweetness that pushes through the rather dark roast" (83) Ken concurs with both the chocolate and the sweetness: "Clear sweet cocoa tones, balanced cup, long clean finish" (87).
Lindsey Bolger: "Intense aroma of fresh-from-oven brownies. Flavors of dark chocolate and sweet caramel compliment the rather dark roast. I added points to acknowledge the roaster's skill in pairing the roast so appropriately to the coffee" (85). Ken also was impressed by the aroma: "richly low-toned, chocolaty, malty, spicy, complex. In the cup gently roasty, complicated by dry fruit and malt notes. A slightly astringent finish lowered my score" (84).
Lindsey Bolger: "Understated grace describes this uncharacteristically delicate and refined Sumatra. Both dry fragrance and wet aroma display subtle fruit (I describe it as dried orange peel) and milk chocolate, which complement a clean and balanced cup laced with sweet herbs and licorice" (82). Ken: "Crisp, balanced, understated but rich. Grapefruit tones complicate a gently acidy but roasty cup" (88).